Showing posts with label museums in tunisia. Show all posts
Showing posts with label museums in tunisia. Show all posts

Sunday, January 20, 2013

Rome And Its Provinces

Rome and its provinces; Eljem museum Tunisia, House of Africa
In the 2nd century, Rome had made the Mediterranean as its own lake. Africa (actual Tunisia), Anatolia, Spain and Gaul(France) are the biggest Roman provinces. Every province used to supply Rome with gold; wheat, silk and metals.
One century later, Caracalla had granted the Roman citizenship to all free inhabitants of the Roman empire. This law is known as the Antonin Constitution. The purpose was to simplify the tax structure and the administration.

The mosaic above shows the unity of Rome. Minerva, the goddess of war in the middle symbolise Rome surrounded by its provinces. Africa, Anatolia, Egypt, Spain and Gaul. Africa wearing an elephant ear, Spain with olive tree branch, Diana represents Sicily and Isis represents Egypt. 

Sunday, December 9, 2012

Rome Never Dies; From Thysdrus To El jem

In the small village of El jem, which has only 18,000 inhabitants, a monument stands to recall its old glory when it was the Roman town of Thysdrus.
With more than 500,000 tourists per year, the El jem amphitheater is one of the most visited monuments in Tunisia. It is sixty km from Sousse, another tourist town where more than two million people come to spend their holiday each year. Local travel agencies usually organize a half-day trip to El jem with reasonable prices.
Arena and cavea

The amphitheater was built at the end of the second century thanks to donations from the wealthy citizens of Thysdrus who wanted to show their loyalty to Roman culture. It is the third biggest Roman amphitheater, after the Colosseum of Rome and the amphitheater of Capua. It remains one of the most well-preserved and complete amphitheaters in the world.
The last to be built in the Roman empire, the El jem amphitheater benefited from the accumulated experience of Roman builders. Although it follows the model of Rome's Colosseum, it is elliptical in shape rather than circular, with 427 m on the outer circumference. It stands on flat ground with the support of a complex arch system that holds its three floors and 36m height. The seats can hold between 27,000 and 30,000 spectators, divided into three compartments and separated by balustrades, arranged according to social class. Notable guests used to sit in a sort of horizontal platform near the arena to be close to the action.
Under the arena is a gallery, the site of the amphitheater's bloody past. It contains more then ten rooms where prisoners and animals were kept. The amphitheater games were a part of the Thysdrus culture and a popular pastime. Venatio, or shows that pitted men against wild beasts, were popular in Thysdrus, as were the executions of criminals and prisoners of war.
Since the start of French occupation in 1881, excavations on the amphitheater have unearthed many mosaics that are now exhibited in a museum, some 600 meters from the amphitheater. These mosaics narrate the popularity of Venatio games that were substitutes for Roman Gladiator shows. The cult of the wine God Bacchus was also a common
event in the arena, and some specialists have said that the amphitheater games were dedicated to this God. The procession that preceded the shows were dedicated to him. The cult was largely among the slaves who used to fight for their freedom under the slogan "Bacchus Liber Pater" (Bacchus Father of the Free).
With the decline of Rome, games were stopped, and the huge amphitheater was then used as a citadel by the Berbers led by their queen "Al-kahina" ("the priestess") in the seventh century, when the Arab troups started to attack the actual Tunisian territory. The Arab historians described it as Lajem, a word derived from the Arab word "ajem" - the citadel - which turned into the current name "El Jem." In 1695, the tribes rose against the political taxation of the Tunis-based ruler Mohamed Bey. The tribes escaped and took refuge in the amphitheater. The solders used cannons and opened breaches. These breaches can also be seen.
Since 1985, the amphitheater has been resurrected thanks to the International Festival of Symphonic Music. Musicians from Tunisia and the rest of the world come and perform from mid-July until mid-August.

Thursday, December 6, 2012

From Thugga to Dougga


Named as an UNESCO World Heritage Site in 1997, Dougga illustrates the synthesis of local and Mediterranean cultures that have left their mark on the ancient city throughout the ages.
Burial sites in the southern quarter of the site indicate that Dougga was founded during the Neolithic era (2000 BC).
The choice of the site was appropriate. It’s easily defensible against outside attack with its steep slopes and high cliffs as well as ideal for human settlement with fertile lands for agriculture and plenty of raw materials nearby for industry.
In the 4th century BC, the Greeks of Sicily led by Agathocles decided to fight the Carthaginians in their own territory. The city of Toccai was taken by Greeks in the campaign according to historical records and has been identified by modern-day scholars as Thugga, the ancient name of Dougga,
In 202 BC, capitalizing upon the weakness of Carthage at the end of the Second Punic War, the Numidians took control of Thugga, which became the capital of their kingdom, according to some historians. The Numidian Kingdom extended from northwestern Tunisia across northern Algeria. Under the reign of Massinissa (202-148 BC) and his son Micipa, Thugga witnessed a golden age in which the arts flourished.
Furthermore, this period in Thugga’s history has provided a significant collection of epigraphic and archaeological insight to the way of life at that time. In fact, it has provided the most ancient Lybic inscriptions known to date.
The mausoleum of Dougga, in the southern edge of the site, is the only intact structure that displays official Numidian architecture
Royal Mausoleum

in the 2nd century BC. It consists of a 21m tower topped by a pyramid and a lion and was dedicated to King Massinissa.
One century later, Thugga was conquered by the Romans, and the Roman province of “Africa Proconsularis” annexed the Numidian city. During Roman times, the city was composed of two districts – one for local inhabitants and another for Roman settlers. The Roman influence swiftly made an impact on the nature of the town, but the original layout inherited from the Numidian kingdom remained unchanged.
Local inhabitants assimilated Roman deities into their worship. For example, the Roman temples of Saturn and Caellestis were built over the ruins of previous temples to local deities – Baal and Tanit – respectively. Both of these Roman temples are found outside the cities’ walls while those of other major Roman deities are in the center of the city.
Monuments were erected as displays of Dougga’s loyalty to Rome, and the remnants of ancient Roman structures are testimony to the city’s golden age in the 2nd and 3rd centuries AD. Dougga’s theater, which is the best preserved in all of Tunisia, was built under the reign of the Antonian dynasty in the 2nd century. The Capitol, or the Temple of Jupiter, occupied the center of the city as a sign of Roman unity. The worship of Jupiter was the official religion at the time, and it was incumbent upon any respectful citizen to make sacrifices there.
Dougga Capitol

The city was not lacking in public baths. The largest of Dougga’s baths unearthed so far are the Licinian baths, which were constructed in the 3rd century thanks to the donations of rich Roman citizens.
Under the reign of the Severan emperors (193-235 AD) Thugga became a Municipium, a Roman city ruled by its own citizens, and even achieved the status of a colony in which all citizens were granted Roman citizenship.
When the Byzantines took over the administration of the city in the sixth century, they channeled enormous effort to fortify the city. Many stone blocks were removed from their original structures to be inserted in huge walls that would enclose the forum and the temple of Jupiter. Latin inscription can be found on these Byzantine walls.
Like the rest of the Roman cities in the province, Thugga declined with the arrival of the Arabs in the seventh century. Despite this decadence, it remained inhabited, and archaeologists have discovered ceramics and potteries from the 11th century. A small mosque, built a few centuries ago, rests on the eastern side of a pagan temple.
An old tradition with pagan origins survived the arrival of Islam and continues to this day. It’s the Lalla Mokhola along the ruins of Dougga’s Ain el-Hammam cisterns. Curious visitors can discover whitewashed walls bearing handprints, henna, the remains of burnt out candles, and brownish traces of dried blood from a chicken sacrificed to Lalla Mokhola, the Mistress and patron saint of the inhabitants. Lalla Mokhola was a lady, who arrived to the city in time immemorial. When she wanted to depart, she was obliged to stay by Dougga’s residents due to the prodigious, mystical powers she possessed.
At the end of the spring, a Zarda- a celebration involving sacrifice – is organized. The inhabitants collect money to buy a white ox
A Local Paying Respects in the modern-day Shrine to Lalla Mokhola

and spend a night near the cisterns because they think that this woman comes out from the nearby spring and pours oil on the head of the ox. In the morning, the ox is sacrificed and the meat distributed to the families.
The procession of Lalla Mokhola is a legacy of the Roman cult to the water spring. A Roman aqueduct, built in 184 AD, brought its water supply to the city. This cult is even mentioned in Latin inscriptions found near the aqueduct.
In 1960, a new village was built to shelter the inhabitants, who used to live amidst the ruins of the ancient city. It’s located on the road that links Tunis to el-Kef (GP5) and known as New Dougga

Monday, January 2, 2012

The Allegory of Victory (2nd century AD)


This low relief discovered at the top of Byrsa hill represents the allegory of victory in the guise of a winged female, the hair in bun, dressed a pleated tunic and holding an impressive trophy. 

At the top feature the Romans weapons: the helmet and the breast plate where the head of Medusa and two faced griffins are depicted.
At the bottom:  a bow, a quiver, a sword, shields and peltarions shields evoking the Parthians weapons.
Inspired from the Hellenic art, it would commemorate the Roman victory against the Parthians under the join reign of Marcus Aurelius and Lucius Verus(163-165)
Low relief in white marble Museum of Carthage
3m by 1.2m