Rome And Its Provinces

Rome and its provinces; Eljem museum Tunisia, House of Africa

In the 2nd century, Rome had made the Mediterranean as its own lake. Africa (actual Tunisia), Anatolia, Spain and Gaul(France) are the biggest Roman provinces. Every province used to supply Rome with gold; wheat, silk and metals.
One century later, Caracalla had granted the Roman citizenship to all free inhabitants of the Roman empire. This law is known as the Antonin Constitution. The purpose was to simplify the tax structure and the administration.

The mosaic above shows the unity of Rome. Minerva, the goddess of war in the middle symbolise Rome surrounded by its provinces. Africa, Anatolia, Egypt, Spain and Gaul. Africa wearing an elephant ear, Spain with olive tree branch, Diana represents Sicily and Isis represents Egypt. 

From Thugga to Dougga

Named as an UNESCO World Heritage Site in 1997, Dougga illustrates the synthesis of local and Mediterranean cultures that have left their mark on the ancient city throughout the ages.
Burial sites in the southern quarter of the site indicate that Dougga was founded during the Neolithic era (2000 BC).
The choice of the site was appropriate. It’s easily defensible against outside attack with its steep slopes and high cliffs as well as ideal for human settlement with fertile lands for agriculture and plenty of raw materials nearby for industry.
In the 4^th century BC, the Greeks of Sicily led by Agathocles decided to fight the Carthaginians in their own territory. The city of Toccai was taken by Greeks in the campaign according to historical records and has been identified by modern-day scholars as Thugga, the ancient name of Dougga,
In 202 BC, capitalizing upon the weakness of Carthage at the end of the Second Punic War, the Numidians took control of Thugga, which became the capital of their kingdom, according to some historians. The Numidian Kingdom extended from northwestern Tunisia across northern Algeria. Under the reign of Massinissa (202-148 BC) and his son Micipa, Thugga witnessed a golden age in which the arts flourished.
Furthermore, this period in Thugga’s history has provided a significant collection of epigraphic and archaeological insight to the way of life at that time. In fact, it has provided the most ancient Lybic inscriptions known to date.
The mausoleum of Dougga, in the southern edge of the site, is the only intact structure that displays official Numidian architecture

Royal Mausoleum

in the 2^nd century BC. It consists of a 21m tower topped by a pyramid and a lion and was dedicated to King Massinissa.
One century later, Thugga was conquered by the Romans, and the Roman province of “Africa Proconsularis” annexed the Numidian city. During Roman times, the city was composed of two districts – one for local inhabitants and another for Roman settlers. The Roman influence swiftly made an impact on the nature of the town, but the original layout inherited from the Numidian kingdom remained unchanged.
Local inhabitants assimilated Roman deities into their worship. For example, the Roman temples of Saturn and Caellestis were built over the ruins of previous temples to local deities – Baal and Tanit – respectively. Both of these Roman temples are found outside the cities’ walls while those of other major Roman deities are in the center of the city.
Monuments were erected as displays of Dougga’s loyalty to Rome, and the remnants of ancient Roman structures are testimony to the city’s golden age in the 2^nd and 3^rd centuries AD. Dougga’s theater, which is the best preserved in all of Tunisia, was built under the reign of the Antonian dynasty in the 2^nd century. The Capitol, or the Temple of Jupiter, occupied the center of the city as a sign of Roman unity. The worship of Jupiter was the official religion at the time, and it was incumbent upon any respectful citizen to make sacrifices there.

Dougga Capitol

The city was not lacking in public baths. The largest of Dougga’s baths unearthed so far are the Licinian baths, which were constructed in the 3^rd century thanks to the donations of rich Roman citizens.
Under the reign of the Severan emperors (193-235 AD) Thugga became a Municipium, a Roman city ruled by its own citizens, and even achieved the status of a colony in which all citizens were granted Roman citizenship.
When the Byzantines took over the administration of the city in the sixth century, they channeled enormous effort to fortify the city. Many stone blocks were removed from their original structures to be inserted in huge walls that would enclose the forum and the temple of Jupiter. Latin inscription can be found on these Byzantine walls.
Like the rest of the Roman cities in the province, Thugga declined with the arrival of the Arabs in the seventh century. Despite this decadence, it remained inhabited, and archaeologists have discovered ceramics and potteries from the 11^th century. A small mosque, built a few centuries ago, rests on the eastern side of a pagan temple.
An old tradition with pagan origins survived the arrival of Islam and continues to this day. It’s the Lalla Mokhola along the ruins of Dougga’s Ain el-Hammam cisterns. Curious visitors can discover whitewashed walls bearing handprints, henna, the remains of burnt out candles, and brownish traces of dried blood from a chicken sacrificed to Lalla Mokhola, the Mistress and patron saint of the inhabitants. Lalla Mokhola was a lady, who arrived to the city in time immemorial. When she wanted to depart, she was obliged to stay by Dougga’s residents due to the prodigious, mystical powers she possessed.
At the end of the spring, a Zarda- a celebration involving sacrifice – is organized. The inhabitants collect money to buy a white ox

A Local Paying Respects in the modern-day Shrine to Lalla Mokhola

and spend a night near the cisterns because they think that this woman comes out from the nearby spring and pours oil on the head of the ox. In the morning, the ox is sacrificed and the meat distributed to the families.
The procession of Lalla Mokhola is a legacy of the Roman cult to the water spring. A Roman aqueduct, built in 184 AD, brought its water supply to the city. This cult is even mentioned in Latin inscriptions found near the aqueduct.
In 1960, a new village was built to shelter the inhabitants, who used to live amidst the ruins of the ancient city. It’s located on the road that links Tunis to el-Kef (GP5) and known as New Dougga

The Catacombs of Sousse

From the first century AD, Christians were considered a threat to the unity of Rome and were oppressed and persecuted by Roman authorities for more than four hundred years across the empire. In fact, they were not even allowed to bury their dead in ordinary cemeteries. Thus, they resorted to “catacombs,” which were underground passageways for burial and religious purposes.
Africa, the early Roman name given to the province of modern-day Tunisia, was no exception. Christians here were oppressed and killed in several amphitheaters scattered throughout the ancient province.
The catacombs of Sousse, discovered by the French army in the 19th century, are the only in Tunisia that are open to visitors hoping to catch a glimpse of these underground vestiges of Christianity in ancient Tunisia. They are comprised of galleries stretching over five kilometers and contain at least 15,000 graves, dating back to the end of the first century AD. Either two or three levels of tombs are dug into the galleries’ walls as well as niches holding lamps to light the depths of the labyrinth.
One gallery, known as the catacombs of the Good Pastor, is the only section open to visitors and extends over 1.6 km. Its ancient walls house approximately 6,000 graves.
The burial practices employed in Sousse’s catacombs often involved dipping the corpse in calcium-rich lime and shrouding it with cloth. Once the body was interred, the grave was then covered over with tiles or marble slabs on which the names of the dead were frequently written. Some objects that were buried with the dead can be found in the museum of Sousse.

Catacombs of Sousee

Many sections of the catacombs have not been excavated due to urbanization encroaching on top of the archaeological site. Nejib Ben Lazreg, a Tunisian archaeologist, said that many Tunisians are not aware of the importance of the ruins. So far, only two hundred meters of the catacombs have been restored.
“The excavation of any site needs to be funded,” he said. Ben Lazreg pointed out that there are other catacombs in the coastal cities of Lamta and Salakta. Nevertheless, their excavations have been on hold since the end of the 1990s due to the lack of funding as well as the construction of new buildings above them.
The catacombs of Sousse are open to visitors at an entrance fee of 4 Tunisian dinars.

Bacchus in Roman African Mosaics

Bacchus is the God if wine and vegetation in the Roman mythology. He was assimilated to the Greek God of wine Dionysus.

The birth of the god is a mystery. His father, Jupiter sewed him up in his thigh for four month because his mother Semele, the princess of Thebes, was burned to ashes. She was the first Jupiter mistress to ask him to appear in all his god majesty. The burn was caused by Jupiter lighting and thunder when he came before her.

Bacchus was raised by satyrs, man with goat legs and pointed ears. Silenus, the oldest of the satyrs, taught him the secret of cultivating grapes and making wine.
Bacchus was represented as a handsome youth-god, beardless with long hair with wine ivy or vine leaves on the head. Bacchus like riding panthers and tigers. 

Bacchus in Roman African Mosaics   
Since the occupation of the Numidian territories by Caesar in 46BC, the Roman culture started to spread. A new culture emerged, Romano-African culture. Nowadays, Tunisia has the biggest collection of mosaics tableau. These mosaics are the witness of the flourished Roman-African culture.
Bacchus was represented in many tableau that archaeologists have extracted from the ground. It seems that he was assimilated to Shadrapha, the Semitic god that has the same features as Bacchus. ElJem museum shelters the most important tableaux depicting Bacchus and his cycle.

Mosaic depicting Bacchus riding a lion with a satyr and Silenus: Eljem Museum 2nd century

Bacchus surrounded by seasons and centaurs, Acholla (Henchir Botria north of Sfax) 2nd century.